3 Feet High and Rising
Regular price £540.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This De La Soul original print is the result of a meticulous reworking of the original photography for the 3 Feet High and Rising LP sleeve, alongside the original sketched proposal made by the Grey Organisation to Tommy Boy Records. The spirit of the cover art design is revived in glorious day-glo and the result is an artist print that transports us back to the Daisy Age with one glance. The print, just like the original artwork, is the product of a two stage process worked on by the artist along with two different print-makers: the faces of Plug 1, 2 and 3 were printed in archival inkjet to achieved a clean b&w photographic image, over which the cartoon-like illustration has been hand-pulled. We knew we needed to capture the day-glo spirit of the original design but fluorescent inks simply aren't available for inkjet so we turned to Lynne at Hippo Screenprinters in Essex who was the perfect match for this project. She produced the most outstanding edition from Toby Mott's artwork; the hand pulled printing mirrors the feel of the cover design and more to the point, of that original sketch submitted to Tommy Boy records by the Grey Organisation. Each print has been embossed with the official stamp of the Grey Organisation. |
Signed by: Toby Mott Image size: 20 x 20 inches / Paper size: 25.5 x 26.5 inches Edition size: 60 Print type: Silkscreen over Archival Inkjet (Giclée)
|
Over 30 years after its release, 3 Feet High and Rising remains one of the most feted albums in the hip hop canon. This unique LP emerged in 1989 amidst the burgeoning US hip-hop scene. |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
50,000,000 Elvis Fans Can't Be Wrong
Regular price £395.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
50,000,000 fans but only 175 prints! This limited edition archival inkjet print celebrates Elvis' gold lame suit by famous Hollywood tailor Nudie Cohen, now on display at Graceland in Memphis, Tennessee. Elvis Presley™'s album covers weren't known for their creativity but this cover by then RCA Art Director Bob Jones was an exception. Replicating the photograph at different sizes was a departure from the strict guidelines laid down by Elvis' manager, Colonel Tom Parker. We knew that to do the artwork justice these prints had to be something really special and the printers (Senecio, Oxford, UK) have produced something truly fit for the king. Each print is numbered in pencil and bears the official Elvis Presley™ silhouette image. Each print is also embossed with the Elvis Presley™ estate's authentication, alongside Hypergallery's own publisher's mark. |
Image size: 19 x 19 inches / Paper size: 27 x 28.5 inches Edition size: 175 |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
5000 Layers Of The Onion
Regular price £770.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition album art print has been produced using a combination of silkscreen and inkjet techniques. It is a beautiful and bright rendition of Simon Posthuma's striking design for 5000 Spirits, or the Layers of the Onion, which was released in 1967 by The Incredible String Band. Although you would imagine from Posthuma's design that this was a classic piece of 60s musical psychedelia, it can in fact be more accurately described as traditional folk music. The Incredible String Band's Mike Heron and Robin Williamson were re-united with Simon to sign this magnificent print in 2006. |
Signed by: Simon Posthuma, Mike Heron and Robin Williamson Image size: 19 x 19 inches / Paper size: 25 x 26 inches Edition size: 195 Print type: Silkscreen & Archival Inkjet (Giclée) |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
A Collection Of Great Dance Songs
Regular price £4,800.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition archival inkjet print features the original artwork that graced Pink Floyd's 1981 compilation album A Collection of Great Dance Songs. Tongue-in-cheek title aside, this short-but-sweet compilation makes a convincing case for latter-day Pink Floyd as solid students of rock-pop song craft. Pink Floyd are not known for making particularly dance-able music. This image, designed by Hipgnosis under the pseudonym T.C.P. (Thorgerson, Christopherson and Powell) is perhaps a little play on that, featuring ballroom dancers guyed to the ground so they cannot move. Printed in beautiful archival inkjet on a Somerset Enhanced paper. |
Signed by: Aubrey Powell Image size: 23 x 15 inches / Paper size: 29.5 x 23.5 inches Edition size: 99
|
Art Money it for £480/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
A Day At The Races
Regular price £995.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
A Day At The Races is a mixed technique edition of prints by Queen members Brian May and Roger Taylor. This album found Queen at a highly inventive and motivated period. All four members are writing and creating at a furious rate and within four months they produce several of their most acclaimed recordings, best loved singles, and, in the minds of many, one of their finest and most complete albums. A Day At The Races is greatly diverse on all levels, exploring all kinds of musical styles and genres. The artwork for the album was similar to the A Night At The Opera, which many think of as its sister album, but in a contrasting black, with a new depiction of the Queen crest on the cover. |
Signed by: Brian May and Roger Taylor Image size: 19 x 19 inches / Paper size: 27.5 x 28 inches Edition size: 195 |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
A Gift From A Flower To A Garden
Regular price £1,800.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print features a Pre-Raphaelite style infrared photograph of Donovan on the moat in front of Bodiam Castle by Karl Ferris, who was personal photographer to both Donovan and Jimi Hendrix. This is a jewel in the crown of a phenomenal catalogue from Ferris, the originator of psychedelic photography. A Gift From a Flower to a Garden was Donovan's fifth album and one of the first box sets ever in the folk/rock genre. Printed and signed on demand so allow for delay in delivery of up to one month. Just get in touch, if time is of the essence! We will contact you with updates following your purchase. © Karl Ferris |
Signed by: Karl Ferris Editions: 75, 50 and 20 Print type: Lambda Archival Inkjet (Giclée) on Fuji Crystal Archive DP II silk matte sheen paper |
Art Money it for £180/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
A Head Full of Dreams Butterfly
Regular price £180.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition Coldplay print, A Head Full of Dreams Butterfly, is printed on beautiful gold shimmer paper. Every print in the edition of 250 has been signed and numbered by the artist, Kristjana S Williams. Her work may well feel familiar from the promotional artwork for the Frida Kahlo exhibition at the V&A, or the branding for Penhaligon's Perfumery and of course from this beautiful cover for Coldplay's A Head Full of Dreams: Live in Buenos Aires and Live in Sao Paulo. The artwork takes an abundance of whimsical, re-imagined animals so intrinsic to Williams’ style, and weaves them together with recognisable Coldplay iconography; from the Flower of Life image from A Head Full of Dreams, to the digitally rendered face from A Rush of Blood to the Head. These are layered with motifs from the band’s history: a street sign from 268 Camden Road, the flat in which Coldplay had their first rehearsal; an image of Chris with his go-to vodka and cranberry. |
Signed by: Kristjana S Williams Image size: 12 x 12 inches Edition size: 250 |
Kristjana S Williams |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
A Little Museum for The Who
Regular price £570.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
Richard Evans has shaped the visual identity of The Who and continues to do so to this day. This archival inkjet edition was produced in a limited edition by the artist in homage to the band with whom he has worked for so many years. The print depicts a veritable cabinet of rock&roll curiosities, from back stage passes to that classic of Mod culture ephemera, the pin badge. Published in an edition of 195 on Hahnemühle German Etching paper. |
Signed by: Richard Evans Image size: 19 x 19 inches Paper size: 28 x 29 inches Edition size: 195
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
A Momentary Lapse of Reason
Regular price £4,200.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
The Momentary Lapse of Reason limited edition print was one of the very first selection of Pink Floyd album cover designs to be revisited and re-envisaged as an art print by Storm Thorgerson at the very beginning of this century. The photograph was originally taken for the album cover of Pink Floyd's A Momentary Lapse of Reason, which hit the No.3 spot on Billboard in October 1987. The idea was to reflect the line of lyric "visions of an empty bed" by becoming one huge vision of many empty beds; hundreds of beds stretching across the landscape at the behest of master visionary, Storm Thorgerson. Storm wanted a particular kind of bed: Victorian, wrought iron, hospital type beds; beds for patients, beds for mad people, beds for dreamers. 700 of these beds in all were taken on two trucks to Saunton Sands in Devon, England, and put on the beach one by one, complete with bedding, and arranged in the shape of a river; a river bed. This is an archival inkjet edition of 295 on a Somerset tub paper; a wonderful record of a legendary event. |
Signed by: Storm Thorgerson Image size: 26 x 17 inches / Paper size: 33 x 25.5 inches Edition size: 295 Print type: Archival Inkjet (Giclée)
|
Art Money it for £420/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
A Northern Soul
Regular price £600.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition print from photographer Scarlet Page marks a significant moment in her career and in that of The Verve. It captures the band in New York in 1994, making waves before returning to Wigan to finish A Northern Soul, on which this image features. Published in an archival inkjet edition of 100. |
Signed by: Scarlet Page Image size: 18 x 12 inches / Paper size: 20 X 24 inches Edition size: 100 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
ABACAB
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
The album cover art for ABACAB by Bill Smith, showcasing one of his most revered album covers for one of the world's biggest bands: Genesis.
Here it is revisited by Bill in a series of four limited edition archival inkjet prints. Each edition of 25 features a different colourway. The original album cover artwork was born of a little torn paper sketch that Mike Rutherford noticed in Bill’s sketchbook.
Bill has re-worked that image into this beautiful series which can be purchased individually or as a fabulous set of four. |
Signed by: Bill Smith
Customers wishing to purchase all four prints can do so for the price of three by entering the code ABACAB upon checkout. Please ensure you add all four prints to your basket in order to validate the code and receive your discount. |
Art Money the full set for £108/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Abandon
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition print revisits the artwork for Deep Purple's 1998 album, Abandon. It has been overseen by original artist Ioannis, who relished the opportunity to do so:`
© 1998 Ioannis, reproduced here with permission. |
Signed by: Ioannis Image size: 20 x 20 inches / Paper size: 22 x 21 inches Edition size: 50 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Adam and Eve
Regular price £595.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition silkscreen print features the album artwork from Adam and Eve, the fourth full-length album by Catherine Wheel. Adam and Eve featured more adventurous instrumentation than any prior Catherine Wheel LP, completely shedding the heavy metal sound of their previous studio album, Happy Days. Some of concerts promoting this album recreated the cover art as a live performance, featuring actual nude models positioned in boxes onstage behind the band members. A weighty Somerset paper has been used for this edition of 125, printed in archival inks by the renowned Coriander Studios in London. |
Signed by: Storm Thorgerson Image size: 19 x 19 inches / Paper size: 25.5 x 33 inches Edition size: 125
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Afro Portrait
Regular price £1,000.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print of the legendary Jimi Hendrix was shot at Karl Ferris' Hampstead Studio in London, 1967. It was produced and published by Ferris, who was personal photographer to Hendrix during this most vital time in the guitarist's career. Printed and signed on demand so allow for delay in delivery of up to one month. Just get in touch, if time is of the essence! We will contact you with updates following your purchase. © Karl Ferris |
Signed by: Karl Ferris Editions: 75 and 50 Print type: Lambda Archival Inkjet (Giclée) on Fuji Crystal Archive DP II silk matte sheen paper |
Art Money it for £100/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
After the Flood
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition silkscreen is one of two prints published in 2012 celebrating the body of work created by James Marsh for Talk Talk throughout the 1980s. The two prints, Spirit of Eden and After the Flood, showcase the exquisite print craftsmanship of Harwood King fine art printers, who collaborated with the artist to produce these works. Up to 30 separate screens were involved in recreating all the complex colour and detail, including subtle differences from the original painted works which distinguish them from any print reproductions and give us two completely original pieces of work. |
Signed by: James Marsh Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 250
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
AGBI Bicentenary Print
Regular price £1,500.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print celebrates the bicentenary of the Artists’ General Benevolent Institution (AGBI). Profits from the sale of the Print will go to the AGBI to support artists who can no longer work due to accident, illness or old age. This limited edition comprises 50 numbered copies for sale to the public of which on 15 now remain. In addition, 42 proof copies were numbered in roman numerals and gifted to each artist who contributed work. Each print is signed in pencil by all the contributing artists. In addition there is one B.A.T. copy for the AGBI archive, one H/C for the Chelsea Arts Club collection, and one H/c printer’s proof. The Artists’ General Benevolent Institution (AGBI) was founded by J.M.W. Turner in 1814 and incorporated by Royal Charter in 1842, it is one of the oldest charities in the United Kingdom. The AGBI financially supports professional artists in need living in England, Wales and Northern Ireland who cannot work or earn due to accident, illness or older age. The AGBI is a charity run for artists by artists. |
Signed by: Sir Peter Blake and 41 others Image size: 31.5 x 27.5 inches / Paper size: 24.5 x 21 inches Edition size: 50 Print type: Archival Inkjet (Giclée) |
ARTISTS REPRESENTED ON THE PRINT Ivor Abrahams RA, Val Archer, Stephen Bartlett, Peter Blake CBE, William Bowyer RA, Simon Burton, Michael Craig-Martin RA, Gus Cummings RA, Andrew Curtis, Brenda Evans, Brad Faine, Stephen Farthing RA, Duggie Fields, Peter Freeth RA, Anthony Frost, Martin Fuller, Christian Furr, Maggi Hambling CBE, Gerrard Hemsworth, Nichola Hicks MBE, Georgie Hopton, Ken Howard OBE RA, Patrick Hughes, Gary Hume RA, Paul Huxley RA, Ben Johnson, Bryan Kneale RA, David Mach RA, Ronald Maddox, Christian Marclay, Roger McGough, Bruce McLean, Brendan Neiland, Chris Orr MBE RA, William Packer, Tom Phillips RA, Barbara Rae CBE RA, Justine Smith, Donald Smith, Steve Thomas, Joe Tilson RA, Gavin Turk. |
Art Money it for £150/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Aguita Fresca
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Aleluya
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Alice In Wonderlands
Regular price £198.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This Klimperei album cover design is a stunning inkjet print published in early 2015 to mark the 150th anniversary of Louis Carroll’s book. The artwork is by Alfreda Benge who is best known for her collaborative work with Robert Wyatt. This album cover was created for the French group Klimperei’s Alice in Wonderlands album, in 2000. The group, led by Christophe Petchanatz, specialise in ‘toy music’ – short, minimal instrumentals in the manner of Erik Satie or Nino Rota. Alice was a natural inspiration for the group and having Alfie do the cover was an inspiration. This is a beautiful vibrant print of a hipster White Rabbit showing Alice some dance steps, backed by the jazz playing duo of Humpty Dumpty and the Cheshire Cat. Signed and numbered in pencil by Alfreda Benge. |
Signed by: Alfreda Benge |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Alternate Experienced
Regular price £1,500.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print shows an alternate version of the famous Jimi Hendrix album cover shot for Are You Experienced, often regarded as the greatest debut album of all time. This photo was used for a German album release. The print was produced and published by Karl Ferris, who was personal photographer to Hendrix. Karl Ferris recalled, "When everything was ready, we hired a Rolls Royce limo and drove down to Kew Gardens, where I found the perfect tree which had foliage that reached the ground. I had the guys stand back inside the leaves and shot them through the fisheye lens from a low angle, to emphasise Jimi’s hands". Printed and signed on demand so allow for delay in delivery of up to one month. Just get in touch, if time is of the essence! We will contact you with updates following your purchase. © Karl Ferris |
Signed by: Karl Ferris Print type: Lambda Archival Inkjet (Giclée) on Fuji Crystal Archive DP II silk matte sheen paper |
Art Money it from £150/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Amy Winehouse Camden
Regular price £599.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition print is one of nine images from Scarlet's portfolio produced as an exhibition proof for the Scarlet Page and Friends exhibition in 2023. The exhibition prints are marked ‘HC’ (Hor-de-Commerce) and are available for purchase at a unique size produced especially for this show. Her images are also available to order from editions in three sizes printed on Fuji Archival Matt C-Type paper. All edition prints are produced to order by Scarlet before being signed and embossed with her own stamp. |
Signed by: Scarlet Page
Paper size: various
Edition Size: various
Print type: Archival inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
An Introduction to Syd Barrett
Regular price £1,000.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
Only a few copies signed by Storm Thorgerson are left of this large, limited edition album art print which exhibits the extraordinary colours and fantastical imagery designed by Storm for An Introduction to Syd Barrett. This was a compilation album which brought the tracks of Pink Floyd and Syd Barrett together for the first time and featured the previously-unreleased 20-minute instrumental Rhamadan. Such a release was deserving of a special cover and Storm sure provided one. Upon the release of An Introduction to Syd Barrett in 2010, Storm said his aims for the packaging were,
Storm's teddy bear fetish pops up again here too, evoking teddy bears picnics and park life. Printed in archival inkjet on a beautiful Hahnemühle paper in characteristically crisp colour by Stuart Nicholls at Rockarchive. |
Signed by: Storm Thorgerson
|
Art Money it for £100/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Animals
Regular price £8,900.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
The Animals limited edition print was one of the very first selection of Pink Floyd album cover designs to be revisited and re-envisaged as an art print by Storm Thorgerson at the very beginning of this century. It is a stunning, richly coloured silkscreen print which honours both a keystone moment of Pink Floyd and Hipgnosis history, and a landmark building which has secured a fond place in the hearts of Londoners old and young. The inflatable pig was about 30ft long and 20ft high, and it was brought on site, to the wonderful 1920s architecture of Battersea Power Station by the River Thames, just upstream from the Houses Of Parliament. On day one the pig remained on the ground, neither inflated nor elevated. The initially reluctant pig made a rash break for freedom in the blue yonder on day two. Up from the power station and into the flight path to Heathrow Airport went the animal, en route for the media headlines and home in time for tea. Retrieved from a Kent farm and its bacon saved, the pig again faced the photographers and a film crew, now with a helicopter ready. The finished artwork comprised a real inflatable pig in position on day three, with a real background from day one, when the sky was at hits most dramatic. Storm Thorgerson remembered:
Animals rose (appropriately) to No.3 on the Billboard chart in February 1977. This silkscreen, printed on Somerset enhanced paper by the renowned Coriander Studios, has been very popular and availability is now low. |
Signed by: Storm Thorgerson and Aubrey Powell
|
Art Money it for £480/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Antidotes
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
Remember this extraordinary debut album? Antidotes lived up to the immense hype that preceded it and brought international success and acclaim for the Oxford band. The aesthetic crafted for them by their friend and collaborator, Tinhead became synonymous with the music, and it continues to be so. Celebrate the unique partnership of Foals and Tinhead with the Antidotes album cover art as it was originally drawn. A very limited edition of 10 XL prints has also been made available for anyone who has a large space to fill, or who wants to make a big impact. |
Signed by: Chris 'Tinhead' Wright Image size: 19 x 19 inches / Paper size: 20 x 24 inches Edition size: 100 and 10 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Are You Experienced
Regular price £2,300.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print features the famous Jimi Hendrix album cover shot for Are You Experienced, often regarded as the greatest debut album of all time. It was produced and published by Karl Ferris, who was personal photographer to Hendrix. This is a jewel in the crown of a phenomenal catalogue from the originator of psychedelic photography. Karl Ferris recalled, "When everything was ready, we hired a Rolls Royce limo and drove down to Kew Gardens, where I found the perfect tree which had foliage that reached the ground. I had the guys stand back inside the leaves and shot them through the fisheye lens from a low angle, to emphasise Jimi’s hands". Printed and signed on demand so allow for delay in delivery of up to one month. © Karl Ferris |
Signed by: Karl Ferris Editions: 75, 50 and 20 Print type: Lambda Archival Inkjet (Giclée) on Fuji Crystal Archive DP II silk matte sheen paper |
Art Money it from £230/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Are You Experienced Alternate
Regular price £1,800.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print shows an alternate version of the famous Jimi Hendrix album cover shot for Are You Experienced, often regarded as the greatest debut album of all time. The print was produced and published by Karl Ferris, who was personal photographer to Hendrix. Karl Ferris recalled, "When everything was ready, we hired a Rolls Royce limo and drove down to Kew Gardens, where I found the perfect tree which had foliage that reached the ground. I had the guys stand back inside the leaves and shot them through the fisheye lens from a low angle, to emphasise Jimi’s hands". Printed and signed on demand so allow for delay in delivery of up to one month. Just get in touch, if time is of the essence! We will contact you with updates following your purchase.. © Karl Ferris |
Signed by: Karl Ferris Editions: 75, 50 and 20 Print type: Lambda Archival Inkjet (Giclée) on Fuji Crystal Archive DP II silk matte sheen paper |
Art Money it from £180/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Are You Experienced Back Cover
Regular price £1,800.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print shows the back cover photograph from the famous Jimi Hendrix album cover shot for Are You Experienced, often regarded as the greatest debut album of all time. The print was produced and published by Karl Ferris, who was personal photographer to Hendrix. This famous 'Group Halo' shot was taken in Ferris' Hampstead Studio in London in 1967. After seeing Hendrix with his hair combed away from the scalp, Ferris requested that Jimi wear it that way during the photo shoot. Hendrix's girlfriend, Kathy Etchingham, trimmed his hair to improve its symmetry, forming an afro. Redding and Mitchell liked Hendrix's new hairstyle, so Ferris hired a hairdresser to style their hair in a similar fashion and so that became the basis of the whole look for that ‘Experience’ era. This print tells that story without the need for words. Printed and signed on demand so allow for delay in delivery of up to one month. Just get in touch, if time is of the essence! We will contact you with updates following your purchase. © Karl Ferris |
Signed by: Karl Ferris Editions: 75 and 50 Print type: Lambda Archival Inkjet (Giclée) on Fuji Crystal Archive DP II silk matte sheen paper |
Art Money it for £180/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Arepa
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Ashes to Ashes
Regular price £500.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
Ashes to Ashes In Memory 1947-2016 is based on a shot from the 1971 Hunky Dory photo session. David Bowie's legendary 1970s album covers for Hunky Dory and The Rise and Fall of Ziggy Stardust and the Spiders from Mars, were both designed by UK illustrator, Terry Pastor. Published by Terry Pastor himself, this Oh! You Pretty Things edition has been re-mastered and re-coloured as closely as possible to the original Hunky Dory image that he created in 1972. It began with a black-and-white photograph, the style of which was influenced by a Marlene Dietrich photo book that the 24 year old Bowie took with him to the shoot, telling photographer Brian Wood, “this is how I want to look”. The resulting photograph was lifted to its position among the greats of album cover art when it was handed to Pastor, who applied colour using photo-dyes with a DeVilbiss Super 93 airbrush. Bowie was so pleased that he commissioned the Ziggy Stardust cover using the same techniques. Ashes to Ashes In Memory 1947-2016 offers something unique to the David Bowie collector - a image that is instantly recognisable and yet uncommon. A special thing, only one of 30. |
Signed by: Terry Pastor Image size: 19 x 19 inches / Paper size: 24 x 24 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Asides Besides
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition print is one of two new archival inkjet editions, Introducing ... Talk Talk and Asides Besides, published by Hypergallery in 2021 for the launch of our new exhibition Flights Of Fancy on it's inaugural run at the Haddenham Art Centre, Ely, Cambridgeshire. They join a collection of prints celebrating the body of work created by James Marsh for Talk Talk throughout the 1980s. |
Signed by: James Marsh Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 100
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Atom Heart Mother
Regular price £2,712.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
The Atom Heart Mother limited edition print was one of the very first selection of Pink Floyd album cover designs to be revisited and re-envisaged as an art print by Storm Thorgerson at the very beginning of this century. This striking print celebrates Atom Heart Mother, a big breakthrough for Pink Floyd who, in 1970 managed to get to No.1 with one of the world's most progressive psychedelic albums featuring neither title nor band photo on the front; just a cow. It was the first Pink Floyd cover not to feature the band's name on the cover, nor to contain any photographs of the band anywhere. This was a trend that would continue on subsequent covers throughout the 1970s and beyond. Storm Thorgerson took the picture using only two rolls of 120 film in the first field he came to driving north out of London. No graphics, no retouching.
This silkscreen print is a real stunner. |
Signed by: Storm Thorgerson
|
Art Money it for £271.20/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Atomic
Regular price £220.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
Atomic is one of a collection of limited edition prints published by the artist, David Storey. **ONLY ONE REMAINING - #29/100** Fresh from art college in 1979, Storey joined the team that, under the creative direction of Jerry Dammers, created the graphic identity for cult ska band The Specials and their label 2 Tone. Storey's work for 2 Tone led to other music industry commissions including the designs celebrated in this collection of prints, for The Housemartins, Blondie, Iggy Pop, and Billy Idol. Storey has made a personal selection from his extensive portfolio of posters, drawn from his record sleeve artwork for the same artistes. We are honoured to be presenting the selection here for you. |
Signed by: David Storey Image size: 20 x 27.5 inches / Paper size: 22 x 30 inches Edition size: 100 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Audioslave
Regular price £2,200.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition silkscreen features the album cover artwork created by Storm Thorgerson and StormStudios for Audioslave's eponymous debut album in 1992. **ONLY TWO PRINTS REMAINING* Storm Thorgerson felt that the sultry rock music of Audioslave seemed to suit the brooding power of volcanoes.
The edition has been printed on a weighty Somerset paper by the esteemed Coriander Studios in London, UK. |
Signed by: Storm Thorgerson Image size: 25 x 17 inches / Paper size: 33.5 x 25.5 inches Edition size: 90 Print type: Silkscreen
|
Art Money it for £220/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Back 2 Back
Regular price £900.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition silkscreen print features the cover images from Dark Side of the Moon, The Wall, Atom Heart Mother, Animals and Wish You Were Here painted onto the backs of five nudes. Storm was asked to design a campaign image to advertise the back catalogue of Pink Floyd.
As with the original shot for the cover of Pink Floyd's Back Catalogue, this print features the cover images from Dark Side of the Moon, The Wall, Atom Heart Mother, Atom Heart Mother and Wish You Were Here painted onto the backs of five nudes. Where Back Catalogue (which is no longer available on the primary market) saw the ladies perched in a line on the edge of a pool, here they are spaced throughout the composition. The chimneys of Battersea Power Station depicted in Animals are reflected in the water as they might be in the Thames. The renowned Coriander Studios in London printed the edition, using a Somerset tub paper. |
Signed by: Storm Thorgerson
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Bala de Plata
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
BB King
Regular price £6,000.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
Robert Crumb produced this original print in 2002, referencing an early photographic portrait of B.B. King. The fabulous quality of the print cannot be appreciated on a computer monitor; the blue background and the red border were printed twice to give both colours a deep and luxurious finish. The prints are numbered and signed by Crumb and countersigned by B.B. King himself. Printed in 30 colours on Rives BFK Paper each print is accompanied by a Certificate of Authenticity signed by the printer Alex Wood and B.B. King’s manager Floyd Lieberman. Published in an edition of 245 by Wildwood Serigraphs in 2002, this print is now very rare and Hypergallery have very few available. |
Signed by: Robert Crumb and B.B. King Image size: 17 x 14 inches / Paper size: 25 x 22 inches Edition size: 245 Print type: Silkscreen |
Art Money it for £600/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Be Here Now
Regular price £495.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print celebrates the 20th Anniversary of Oasis' third album, Be Here Now. It is the third publication in the trilogy of album cover art prints, produced and published by Oasis photographer Michael Spencer Jones and follows the popularity of his Definitely Maybe and (What's The Story) Morning Glory? prints. Be Here Now was released on August 21st in 1997 and became the fastest-selling album in British chart history. The album cover was shot a few months before release, at Stocks House in Hertfordshire, as photographer Michael Spencer Jones recalls:
The inflatable globe pays homage to the sleeve of Definitely Maybe, and the Rolls Royce is classic rock'n'roll imagery, suggested by Paul "Bonehead" Arthurs. The release date in each region was commemorated on the calendar pictured on the sleeve, to encourage fans to buy a copy on that day, and mark the release as a kind of historical event. Printed on Hahnemühle paper, every front cover print comes with its own Hahnemühle Certificate of Authenticity and is embossed with artist's mark. |
Signed by: Michael Spencer Jones Image size: 18 x 18 inches / Paper size: 24 x 25 inches Edition size: 195 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Be Here Now Pair
Regular price £725.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print celebrates the 20th Anniversary of Oasis' third album, Be Here Now. It is the third publication in the trilogy of album cover art prints, produced and published by Oasis photographer Michael Spencer Jones and follows the popularity of his Definitely Maybe and (What's The Story) Morning Glory? prints. Be Here Now was released on August 21st in 1997 and became the fastest-selling album in British chart history. The album cover was shot a few months before release, at Stocks House in Hertfordshire, as photographer Michael Spencer Jones recalls:
The inflatable globe pays homage to the sleeve of Definitely Maybe, and the Rolls Royce is classic rock'n'roll imagery, suggested by Paul "Bonehead" Arthurs. The release date in each region was commemorated on the calendar pictured on the sleeve, to encourage fans to buy a copy on that day, and mark the release as a kind of historical event. Printed on Hahnemühle paper, every front cover print comes with its own Hahnemühle Certificate of Authenticity and is embossed with artist's mark. |
Signed by: Michael Spencer Jones Image size: 18 x 18 inches / Paper size: 24 x 25 inches Edition size: 195 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Be Here Now | At Night
Regular price £325.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print celebrates the 21st Anniversary of Oasis' third album, Be Here Now. It joins a trilogy of album cover art prints in the collection of titles produced and published by Oasis photographer Michael Spencer Jones: Be Here Now, Definitely Maybe and (What's The Story) Morning Glory? prints. Published by the artist in association with Hypergallery, 21 years to the day that the photoshoot took place at Stocks House in Hertfordshire. Photographer Michael Spencer Jones recalls:
The release date in each region was commemorated on the calendar pictured on the sleeve, to encourage fans to buy a copy on that day, and mark the release as a kind of historical event. Printed on Hahnemühle paper, every front cover print comes with its own Hahnemühle Certificate of Authenticity and is embossed with artist's mark. The night shot is also available in an ultra limited roman numeral black edition of only 21 prints, signed on black border in white chinagraph pencil. |
Signed by: Michael Spencer Jones
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Beach Catalogue
Regular price £900.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition archival inkjet print features the album cover images from Slip Stitch and Pass by Phish; Chrome by Catherine Wheel; Programme the Dead; On Air by Alan Parsons; Lovedrive by Scorpions; and, of course, Pink Floyd feature here with their best of album Echoes. The Back Catalogue concept was born when Storm was asked to design a campaign image to advertise the back catalogue of Pink Floyd and, as he recalled:
The original Pink Floyd Back Catalogue edition has now completely sold out on the primary market, and the subsequent images in this mini-genre have also proven very popular with Storm collectors. Beach Catalogue takes the line-up from the pool to the coast, and makes for another very attractive artwork, printed on a Somerset Enhanced paper by Coriander Studios, London. Published in an edition of 150 by CCA. |
Signed by: Storm Thorgerson Image size: 24.5 x 15.45 inches / Paper size: 31.5 inches x 25 inches Edition size: 150
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Best Of Bee Gees
Regular price £1,440.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition print by Ed Caraeff features his portrait of Australian Pop group The Bee Gees (clockwise from top Maurice Gibb, Maurice Gibb and Robin Gibb). They posed for this portrait on October 22, 1972 in Los Angeles, California. Caraeff’s work with the Bee Gees forms a notable part of his archive. He was called upon by music producer Robert Stigwood to shoot the cover for the Bee Gees’ album Spirits Having Flown in 1979. Caraeff photographed the group on many occasions including a shot in 1979 in which they pose in front of the painted backdrop most famously see on the album cover for Nils Lofgren's eponymous album, also part of the Hypergallery x Iconic images collection. HYPERGALLERY X ICONIC IMAGES
|
Signed by: Ed Caraeff - printed Authenticated: Hand signed Certificate of Authenticity
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Big Calendar Chair
Regular price £500.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition silkscreen print came out of a project by Storm Thorgerson originally conceived of for the Pulse album cover, before the infamous pulsing light design took hold. The idea was revisited, developed, built and photographed in the end, for Pink Floyd's 30th Anniversary campaign. It features a huge chair upholstered in Pink Floyd imagery, which was made at life size; the three ladies you see on the chair are real and the chair made quite a sight in the middle of a field in Wiltshire. The remastering of the albums ready for Pink Floyd's 30th anniversary wasn't completed in time and the campaign died, as it were. This is therefore a really special print, and a unique piece from the Storm/Floyd catalogue. The remainder of the edition carries the StormStudios emboss and signatures. |
Signed by: StormStudios Image size: 22 x 27 inches / Paper size: 29.5 x 38 inches Edition size: 150
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Big Disks
Regular price £600.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition archival inkjet features one of several Storm Thorgerson projects for the Steve Miller Band. This album cover art design for a vinyl box set is described by Storm:
Printed on Somerset paper in a small edition of only 40 by the esteemed Coriander Studios in London, UK. |
Signed by: Storm Thorgerson
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Billy Corgan
Regular price £800.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition print is one of nine images from Scarlet's portfolio produced as an exhibition proof for the Scarlet Page and Friends exhibition in 2023. The exhibition prints are marked ‘HC’ (Hor-de-Commerce) and are available for purchase at a unique size produced especially for this show. Her images are also available to order from editions in three sizes printed on Fuji Archival Matt C-Type paper. All edition prints are produced to order by Scarlet before being signed and embossed with her own stamp. |
Signed by: Scarlet Page
Paper size: various
Edition Size: various
Print type: Archival inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Bingo!
Regular price £750.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition archival inkjet features one of several Storm Thorgerson projects for the Steve Miller Band. This album cover art design for Bingo! makes a real statement. "Steve Miller Band - difficult to pin down", says Storm. Guitarists exchanging musical licks? Cowboys throwing rhymes? Chairs, pears, teddy bears ... all very peculiar, but so Storm Thorgerson. It made him smile and it makes us smile too. Printed on Fourdrinier Heritage paper in a small edition of only 50, every print has been countersigned by Steve Miller himself at SteelStacks in Bethlehem, PA, before his gig there in May 2011. In the photos below you can see Steve signing - and holding a message he scriblled for Storm - in front of the incredible industrial backdrop of SteelStacks. |
Signed by: Storm Thorgerson Image size: 24 x 19 inches / Paper size: 31 x 26 inches Edition size: 50
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Blink-182 Waterfall
Regular price £800.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition print is one of nine images from Scarlet's portfolio produced as an exhibition proof for the Scarlet Page and Friends exhibition in 2023. The exhibition prints are marked ‘HC’ (Hor-de-Commerce) and are available for purchase at a unique size produced especially for this show. Her images are also available to order from editions in three sizes printed on Fuji Archival Matt C-Type paper. All edition prints are produced to order by Scarlet before being signed and embossed with her own stamp. |
Signed by: Scarlet Page
Paper size: various
Edition Size: various
Print type: Archival inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Bloody Tourists
Regular price £720.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition archival inkjet print is one of a collection of 10cc artworks published by Hypergallery in 2012. The collection, 10 of 10cc, celebrates the wonderful work produced by Hipgnosis and StormStudios for 10cc, from the early days and throughout their career. For Bloody Tourists, having failed to find the right scene on a trip to Barbados, Powell remembered a perfectly shaped bay by the airport in St Lucia and took the opportunity on his return flight's stopover to grab his camera, dash across the runway, put himself in the frame and get his shot.
Customers purchasing 5 or more prints from the set will receive their prints in a beautiful archival portfolio with an accompanying booklet signed by Graham Gouldman. |
Image size: 26 x 17 inches / Paper size: 33 x 26 inches Edition size: 60 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Bold As Love
Regular price £1,500.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This archival inkjet print shows the photograph used for the illustrated Jimi Hendrix Axis Bold As Love album cover. The print was produced and published by Karl Ferris, who was personal photographer to Hendrix. After seeing Hendrix with his hair combed away from the scalp, Ferris requested that Jimi wear it that way during the photo shoot. Hendrix's girlfriend, Kathy Etchingham, trimmed his hair to improve its symmetry, forming an afro. Redding and Mitchell liked Hendrix's new hairstyle, so Ferris hired a hairdresser to style their hair in a similar fashion and so that became the basis of the whole look for that ‘Experience’ era. This print tells that story without the need for words. Printed and signed on demand so allow for delay in delivery of up to one month. Just get in touch, if time is of the essence! We will contact you with updates following your purchase. © Karl Ferris |
Signed by: Karl Ferris Editions: 75 and 50 Print type: Lambda Archival Inkjet (Giclée) on Fuji Crystal Archive DP II silk matte sheen paper |
Art Money it from £120/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Bon Iver
Regular price £240.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition archival inkjet print features an impressive and faithful reproduction of the original relief painting/papercut work by Gregory Euclid. Euclide created the painting for the cover artwork of Bon Iver, Bon Iver - the second studio album from American indie folk band Bon Iver, released in 2011. It is a fitting album cover artwork; a surreal and ephemeral landscape containing an experimental and impressionistic album. It also, perhaps refers, gently, back to Justin Vernon's debut Bon Iver album, For Emma, Forever Ago, which was largely recorded in a remote and snowy Wisconsin cabin over four months and has gained a somewhat mythical status. Talking to Pitchfork in 2011, Euclide said of Justin Vernon:
There is so much more to Euclide's work than first meets the eye, and this print truly captures the detail from that original painting that allows us to delve right in and beyond the first glance. |
Image size: 19 x 19 inches / Paper size: 20 x 20 inches Signed by: Gregory Euclide Edition size: 100 Print type: Archival Inkjet (Giclée) |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Boogie For Stu
Regular price £600.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This signed limited edition silkscreen print by Sir Peter Blake was published in 2011 and features the album cover artwork from Boogie For Stu. The album Boogie For Stu is a tribute to Ian Stewart, a pianist and founding member of the Rolling Stones who died of a sudden heart attack in 1985. A portrait of Stewart in oils by Sir Peter Blake was commissioned for the album artwork and a small edition of 100 silkscreen prints of the portrait was published, 10 of which were gifted to the artists who performed on the album. The album was dreamt up and produced by fellow pianist Ben Waters, a member of The A, B, C and D of Boogie Woogie. It was released in 2011, near the 25th anniversary of Stewart's death. Boogie For Stu ended up featuring some incredible talent whom Ian Stewart had worked with, and the album is named after the track Boogie With Stu which he had recorded with Led Zeppelin. The album also includes Bob Dylan’s Watchin' The River Flow featuring Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood and Bill Wyman. Boogie For Stu is a worthy addition to Blake's outstanding portfolio of album cover art prints, and the beautiful editions of Sgt Peppers Lonely Hearts Club Band, Sweet Child and Stanley Road. CCA Galleries have donated £100 to the British Heart Foundation for every print sold. |
Signed by: Sir Peter Blake Image size: 9.5 x 9.5 inches / Paper size: 16.5 x 17.5 inches Edition size: 100 Print type: Silkscreen
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All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Bowie
Regular price £10,000.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%Bowie: Terry Pastor x Mick Rock
This new and exciting collaboration cites Mick Rock's photograph of David Bowie at Haddon Hall, Beckenham (David Bowie's home at the time). This was one of Mick's earliest sessions with Bowie shot in 1972. It has been hand coloured by the artist and printmaker Terry Pastor using the same airbrush technique he used on the original cover artwork for David Bowie's Hunky Dory and Ziggy Stardust.
Art Money it for £1000/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Bowie as Warhol (Basquiat)
Regular price £90.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This small edition is one in a set of three images by Gray, originally collages on Fuji Instax prints. They have been scanned, edited and printed on the much larger size of A3+ to great effect. Limited to only 20 signed and numbered pieces. Pictured framed and on exhibition, they come unframed and rolled as with all our prints. |
Signed by: Gray
|
Gray explores colour, elements of pop art and image manipulation; dipping images into paint, digitally re-colouring photographs and applying collaged additions allow him to take an image on a new journey by imposing his own identity.
Inspired by artists and icons associated or involved in the pop art movement, we can see echoes of Andy Warhol’s Marilyn Monroe and David Hockney’s A Bigger Splash. Gray‘s use of everyday products and quick manufacturing processes give his work a feeling of universal accessibility. His materials play with the idea of immediacy: Fujifilm Instax film, digital photography, old and expired Polaroids.
His first solo exhibition ‘Mused’ took place at Kirkby Gallery earlier this year.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Brave New World
Regular price £440.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition album art print is a beautiful and lovingly rendered celebration of the Brave New World album artwork. Printed as an archival inkjet on German Etching paper. This very special edition marks the occasion of Styx's 50th Anniversary. Published in collaboration with the cover artist, Ioannis, and the band themselves.
Styx signed the print when they come together for their residency at the Venetian Theatre in Las Vegas in January 2022. |
Signed by: Ioannis and Styx Image size: 20 x 20 inches / Paper size: 22 x 21 inches Edition size: 100 Print type: Archival Inkjet (Giclée) |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Brian Molko Angel Wings
Regular price £599.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition print is one of nine images from Scarlet's portfolio produced as an exhibition proof for the Scarlet Page and Friends exhibition in 2023. The exhibition prints are marked ‘HC’ (Hor-de-Commerce) and are available for purchase at a unique size produced especially for this show. Her images are also available to order from editions in three sizes printed on Fuji Archival Matt C-Type paper. All edition prints are produced to order by Scarlet before being signed and embossed with her own stamp. |
Signed by: Scarlet Page
Paper size: various
Edition Size: various
Print type: Archival inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Build
Regular price £220.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
Build is one of a collection of limited edition prints published by the artist, David Storey. **ONLY ONE REMAINING - #3/100** Fresh from art college in 1979, Storey joined the team that, under the creative direction of Jerry Dammers, created the graphic identity for cult ska band The Specials and their label 2 Tone. Storey's work for 2 Tone led to other music industry commissions including the designs celebrated in this collection of prints, for The Housemartins, Blondie, Iggy Pop, and Billy Idol. Storey has made a personal selection from his extensive portfolio of posters, drawn from his record sleeve artwork for the same artistes. We are honoured to be presenting the selection here for you. |
Signed by: David Storey Image size: 20 x 27.5 inches / Paper size: 22 x 30 inches Edition size: 100 Print type: Archival Inkjet (Giclée)
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Bummed
Regular price £780.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This large and striking silkscreen print revisits the artwork commissioned by Factory Records for the 1988 release of the Happy Mondays second album. The work that Central Station Design produced for the Happy Mondays and Factory Records played an important role in the identity of the label. As Tony Wilson himself said:
Transforming Shaun into a sort of hallucinogenic religious icon was a nod to the Catholic upbringing that Shaun Ryder had experienced, and often referenced in his music. Just as he used that influence in his lyrics, so the designers brought it into their visual language. The album was disorienting, bizarre, yet immediate and bold. The painting is equally intuitive and visceral. Cropping in on the image makes it claustrophobic, intense and ambiguous. Central Station Design recalled:
Each print, on a heavyweight Somerset satin paper, is signed in pencil as "Central Station" by Matt, Pat or Karen. |
Signed by: Central Station Image size: 27.5 x 31.5 inches / Paper size: 37 x 39 inches Edition size: 100 Print type: Silkscreen |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Bury the Hatchet
Regular price £595.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
Bury The Hatchet was a powerful piece of Cranberries album cover art by Storm Thorgerson that has been editioned as a silkscreen print on a weighty Somerset paper. Storm told Hypergallery:
We love this print - how did he do it? Photoshop trickery? But Storm is for real and this is the real thing! |
Signed by: Storm Thorgerson Image size: 19 x 19 inches / Paper size: 25.5 x 33.5 inches Edition size: 125 Print type: Silkscreen
|
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.