Deep Purple
Abandon
Regular price £360.00 Sale price £324.00 Save 10%/
Shipping calculated at checkout.
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This limited edition print revisits the artwork for Deep Purple's 1998 album, Abandon. It has been meticulously reconstructed from the original source material by artist Ioannis, who relished the opportunity to do so:`
© 1998 Ioannis, reproduced here with permission. Launch price held until 1st May. |
Signed by: Ioannis
Image size: 20 x 20 inches / Paper size: 22 x 21 inches Edition size: 50 Print type: Archival Inkjet (Giclée)
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We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Sam Brown
Number 8 Doll
Regular price £480.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
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This limited edition print features the stunning cover photo for Sam Brown's album Number 8, her eighth studio album and her first in 15 years. She appears, referencing the lead single from the album, as a Doll.
The Edition of 25 has been published in collaboration with Sam Brown and photographer Ren Brocklehurst. “Ren has a flair for visual storytelling and pours his heart into his work.” PLANETROMEO It is a celebration of this truly beautiful piece of imagery from Ren and the return of a much-missed musical talent in Sam. *please allow up to three weeks for delivery of this print! |
Signed by: Sam Brown and Ren Brocklehurst Image size: 20 x 20 inches / Paper size: 22 x 21 inches Edition size: 25 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Styx
Man of Miracles
Regular price £440.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition album art print is a beautiful and lovingly rendered celebration of the Man of Miracles album artwork. Printed as an archival inkjet on German Etching paper. This very special edition marks the occasion of Styx's 50th Anniversary. Published in collaboration with the cover artist, Leon Rosenblatt, and the band themselves. Man of Miracles remains one of the most cherished albums in the Styx catalogue, and a gem of mid-70s prog rock. The striking cover art cemented its legacy in the hearts of fans. Who better to tell that story than the artist himself, Leon Rosenblatt? Read his story below >> |
Signed by: Leon Rosenblatt and Styx Image size: 20 x 20 inches / Paper size: 22 x 21 inches Edition size: 100 Print type: Archival Inkjet (Giclée) |
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New York City, 1974
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We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Genesis
ABACAB
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
The album cover art for ABACAB by Bill Smith, showcasing one of his most revered album covers for one of the world's biggest bands: Genesis.
Here it is revisited by Bill in a series of four limited edition archival inkjet prints. Each edition of 25 features a different colourway. The original album cover artwork was born of a little torn paper sketch that Mike Rutherford noticed in Bill’s sketchbook.
Bill has re-worked that image into this beautiful series which can be purchased individually or as a fabulous set of four. |
Signed by: Bill Smith
Customers wishing to purchase all four prints can do so for the price of three by entering the code ABACAB upon checkout. Please ensure you add all four prints to your basket in order to validate the code and receive your discount. |
 |
Art Money the full set for £108/month, no interest We partner with Art Money to make art more accessible |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
The Jam
In The City
Regular price £480.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
The album cover art for In The City is revisited as a limited edition five layer silkscreen print, hand pulled at Hippo Screenprinters in Essex, U.K. The original album cover artwork was created by Bill Smith Studio with regular photographic collaborator Martyn Goddard. Bill has re-worked that image into a stunning edition of highly collectable prints featuring his famous spray painted 'The Jam' logo. Launched at This Is The Modern World - an exhibition of previously unseen The Jam & The Style Council memorabilia curated by Nicky Weller in 2022. These prints are available exclusively here at Hypergallery. |
Signed by: Bill Smith |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Alan Parsons
From The New World
Regular price £325.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition album art print marks the launch of Alan Parson's brand new album released in 2022.
A collaboration between musician and artist you just have to hear about from Alan himself!
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Signed by: Ioannis and Alan Parsons Image size: 20 x 20 inches / Paper size: 22 x 21 inches Edition size: 100 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Styx
The Venetian Theatre
Regular price £196.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This stunning poster was created by Ioannis on the occasion of the band's residency at The Venetian Theatre, Las Vegas, in early 2022. This very special poster was lovingly designed for Styx on the occasion of their 50th Anniversary.
Styx and Nancy Wilson both signed the poster when they come together for their residency at the Venetian Theatre in Las Vegas in January 2022. |
Signed by: Styx and Nancy Wilson Poster size: 24 x 36 inches Print type: Offset litho |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Styx
Return To Paradise
Regular price £440.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition album art print celebrates the Styx live album, Return To Paradise, and its evocative artwork by Ioannis. Printed as an archival inkjet on a photorag paper, this very special edition has been lovingly brought to life by the artist, Ioannis and published in collaboration with the band themselves on the occasion of their 50th Anniversary.
Styx signed the print when they come together for their residency at the Venetian Theatre in Las Vegas in January 2022. |
Signed by: Ioannis and Styx Image size: 21 x 13 inches / Paper size: 24 x 17 inches Edition size: 100 Print type: Archival Inkjet (Giclée) |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Styx
Brave New World
Regular price £440.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
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This limited edition album art print is a beautiful and lovingly rendered celebration of the Brave New World album artwork. Printed as an archival inkjet on German Etching paper. This very special edition marks the occasion of Styx's 50th Anniversary. Published in collaboration with the cover artist, Ioannis, and the band themselves.
Styx signed the print when they come together for their residency at the Venetian Theatre in Las Vegas in January 2022. |
Signed by: Ioannis and Styx Image size: 20 x 20 inches / Paper size: 22 x 21 inches Edition size: 100 Print type: Archival Inkjet (Giclée) |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Talk Talk
Asides Besides
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition print is one of two new archival inkjet editions, Introducing ... Talk Talk and Asides Besides, published by Hypergallery in 2021 for the launch of our new exhibition Flights Of Fancy on it's inaugural run at the Haddenham Art Centre, Ely, Cambridgeshire. They join a collection of prints celebrating the body of work created by James Marsh for Talk Talk throughout the 1980s. |
Signed by: James Marsh Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 100
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We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Talk Talk
Introducing Talk Talk
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
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This limited edition print is one of two new archival inkjet editions, Introducing ... Talk Talk and Asides Besides, published by Hypergallery in 2021 for the launch of our new exhibition Flights Of Fancy on it's inaugural run at the Haddenham Art Centre, Ely, Cambridgeshire. They join a collection of prints celebrating the body of work created by James Marsh for Talk Talk throughout the 1980s. |
Signed by: James Marsh Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 100
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We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
David Bowie
Bowie as Warhol (Basquiat)
Regular price £90.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This small edition is one in a set of three images by Gray, originally collages on Fuji Instax prints. They have been scanned, edited and printed on the much larger size of A3+ to great effect. Limited to only 20 signed and numbered pieces. Pictured framed and on exhibition, they come unframed and rolled as with all our prints. |
Signed by: Gray
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Gray explores colour, elements of pop art and image manipulation; dipping images into paint, digitally re-colouring photographs and applying collaged additions allow him to take an image on a new journey by imposing his own identity.
Inspired by artists and icons associated or involved in the pop art movement, we can see echoes of Andy Warhol’s Marilyn Monroe and David Hockney’s A Bigger Splash. Gray‘s use of everyday products and quick manufacturing processes give his work a feeling of universal accessibility. His materials play with the idea of immediacy: Fujifilm Instax film, digital photography, old and expired Polaroids.
His first solo exhibition ‘Mused’ took place at Kirkby Gallery earlier this year.
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
David Bowie
I Don't Know Where I'm Going From Here, But I Promise It Won't Be Boring
Regular price £90.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This small edition is one in a set of three images by Gray, originally colleges on Fuji Instax prints. They have been scanned, edited and printed on the much larger size of A3+ to great effect. Limited to only 20 signed and numbered pieces. Pictured framed and on exhibition, they come unframed and rolled as with all our prints. |
Signed by: Gray
|
Gray explores colour, elements of pop art and image manipulation; dipping images into paint, digitally re-colouring photographs and applying collaged additions allow him to take an image on a new journey by imposing his own identity.
Inspired by artists and icons associated or involved in the pop art movement, we can see echoes of Andy Warhol’s Marilyn Monroe and David Hockney’s A Bigger Splash. Gray‘s use of everyday products and quick manufacturing processes give his work a feeling of universal accessibility. His materials play with the idea of immediacy: Fujifilm Instax film, digital photography, old and expired Polaroids.
His first solo exhibition ‘Mused’ took place at Kirkby Gallery earlier this year.
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
David Bowie
The Thin White Duke
Regular price £90.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This small edition is one in a set of three images by Gray, originally colleges on Fuji Instax prints. They have been scanned, edited and printed on the much larger size of A3+ to great effect. Limited to only 20 signed and numbered pieces. Pictured framed and on exhibition, they come unframed and rolled as with all our prints. |
Signed by: Gray
|
Gray explores colour, elements of pop art and image manipulation; dipping images into paint, digitally re-colouring photographs and applying collaged additions allow him to take an image on a new journey by imposing his own identity.
Inspired by artists and icons associated or involved in the pop art movement, we can see echoes of Andy Warhol’s Marilyn Monroe and David Hockney’s A Bigger Splash. Gray‘s use of everyday products and quick manufacturing processes give his work a feeling of universal accessibility. His materials play with the idea of immediacy: Fujifilm Instax film, digital photography, old and expired Polaroids.
His first solo exhibition ‘Mused’ took place at Kirkby Gallery earlier this year.
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Richard Durrant
Rewilding
Regular price £240.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is a stunning reproduction of the album cover painting for maverick English composer and concert guitarist Richard Durrant by Jon Everitt, an English painter living and working in the south of France. The instrumental album Rewilding is a highly topical musical fantasy, led by Durrant’s guitars, ukuleles and cello. The uplifting and optimistic album has a sharp focus on the natural world and more than a hint of English prog. The album is clearly inspired by the natural world and, in particular, nature’s ability to regenerate when freed from the worst of mankind’s interferences.
Durrant began composing Rewilding in January 2020 continuing throughout lockdown. Printed on a cotton rag art paper and published in 2020 by Hypergallery to coincide with the launch of the album. |
Launch offer for pre-ordersFor a limited time this print, launched on the day of the album release, is available at £216. Prints shipping to customers from mid-late November. Full price will be £240. Signed by: Richard Durrant and Jon Everitt Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 40 |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
The Verve
A Northern Soul
Regular price £600.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
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This limited edition print from photographer Scarlet Page marks a significant moment in her career and in that of The Verve. It captures the band in New York in 1994, making waves before returning to Wigan to finish A Northern Soul, on which this image features. Published in an archival inkjet edition of 100. |
Signed by: Scarlet Page Image size: 18 x 12 inches / Paper size: 20 X 24 inches Edition size: 100 Print type: Archival Inkjet (Giclée)
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We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Stereophonics
Performance And Cocktails
Regular price £600.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
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This limited edition print was published on the occasion of the 20th anniversary of the release of the Stereophonics' platinum album Performance and Cocktails. Working with Kelly Jones, who was inspired by the Annie Leibovitz photograph Christmas at Soledad Prison, California 1971, Scarlet Page devised this dramatic scene, shot the photograph at a football pitch under the Westway, in London, in Autumn 1998. The shoot was completed in record time, with the pitch rented for only one hour, but the resulting photograph is enigmatic and refined. A memorable image.
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Signed by : Scarlet Page
Image size: 18 x 18 inches / Paper size: 24 x 25 inches
Edition Size: 100
Print type: Archival inkjet (Giclée)
WATCH THE SIGNING >
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We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Talk Talk
Living In Another World
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
| This limited edition print is one of four new archival inkjet editions published to mark the occasion of the Celebration of Talk Talk and Mark Hollis at the Royal Festival Hall in November 2019: Give It Up, I Don't Believe In You, Life's What You Make It and Living In Another World, all four moths were designed by Marsh for singles from the Colour Of Spring album.
Further Talk Talk editions by James Marsh are: Laughing Stock and It's My Life, published by Hypergallery in 2019, The Colour of Spring and The Party's Over, published by Hypergallery in 2019, and the 2012 silkscreen editions Spirit of Eden and After The Flood. They represent some of the wonderful body of work created by James Marsh for Talk Talk throughout the 1980s. |
Signed by: James Marsh Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 100
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Talk Talk
Life's What You Make It
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition print is one of four new archival inkjet editions published to mark the occasion of the Celebration of Talk Talk and Mark Hollis at the Royal Festival Hall in November 2019: Give It Up, I Don't Believe In You, Life's What You Make It and Living In Another World, all four moths were designed by Marsh for singles from the Colour Of Spring album. Further Talk Talk editions by James Marsh are: Laughing Stock and It's My Life, published by Hypergallery in 2019, The Colour of Spring and The Party's Over, published by Hypergallery in 2019, and the 2012 silkscreen editions Spirit of Eden and After The Flood. They represent some of the wonderful body of work created by James Marsh for Talk Talk throughout the 1980s. |
Signed by: James Marsh Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 100
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Talk Talk
I Don't Believe In You
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition print is one of four new archival inkjet editions published to mark the occasion of the Celebration of Talk Talk and Mark Hollis at the Royal Festival Hall in November 2019: Give It Up, I Don't Believe In You, Life's What You Make It and Living In Another World, all four moths were designed by Marsh for singles from the Colour Of Spring album. Further Talk Talk editions by James Marsh are: Laughing Stock and It's My Life, published by Hypergallery in 2019, The Colour of Spring and The Party's Over, published by Hypergallery in 2019, and the 2012 silkscreen editions Spirit of Eden and After The Flood. They represent some of the wonderful body of work created by James Marsh for Talk Talk throughout the 1980s. |
Signed by: James Marsh Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 100
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Talk Talk
Give It Up
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition print is one of four new archival inkjet editions published to mark the occasion of the Celebration of Talk Talk and Mark Hollis at the Royal Festival Hall in November 2019: Give It Up, I Don't Believe In You, Life's What You Make It and Living In Another World, all four moths were designed by Marsh for singles from the Colour Of Spring album. Further Talk Talk editions by James Marsh are: Laughing Stock and It's My Life, published by Hypergallery in 2019, The Colour of Spring and The Party's Over, published by Hypergallery in 2019, and the 2012 silkscreen editions Spirit of Eden and After The Flood. They represent some of the wonderful body of work created by James Marsh for Talk Talk throughout the 1980s. |
Signed by: James Marsh Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 100
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Blink-182
Enema of the State
Regular price £600.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition print, Enema of the State, features the original photograph taken by David Goldman for Blink-182's second album release. It is published by Hypergallery in 2019 to celebrate the 20th Anniversary of the album's release. Featuring adult actress and exotic dancer Janine Lindemulder suggestively donning a blue glove, this is one of the most memorable album covers of its decade. Printed in Goldman's hometown in Canada before being signed and sent on to Hypergallery in the UK, each print comes with an artist-embossed certificate. |
Signed by: David Goldman Image size: 16 x 20 inches / Paper size: 20 x 26 inches Edition size: 100 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Talk Talk
Laughing Stock
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition print is one of two new archival inkjet editions, Laughing Stock and It's My Life, published by Hypergallery in 2019. They join our 2018 publications The Colour of Spring and The Party's Over, and 2012 silkscreen editions Spirit of Eden and After The Flood, in celebrating the body of work created by James Marsh for Talk Talk throughout the 1980s. |
Signed by: James Marsh Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 100
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Talk Talk
It's My Life
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition print is one of two new archival inkjet editions, Laughing Stock and It's My Life, published by Hypergallery in 2019. They join our 2018 publications The Colour of Spring and The Party's Over, and 2012 silkscreen editions Spirit of Eden and After The Flood, in celebrating the body of work created by James Marsh for Talk Talk throughout the 1980s. |
Signed by: James Marsh Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 100
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Talk Talk
The Party's Over
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition print is one of two archival inkjet editions, The Colour of Spring and The Party's Over, published by Hypergallery in 2018. They are joined by our 2019 publications Laughing Stock and It's My Life, and 2012 silkscreen editions Spirit of Eden and After The Flood, in celebrating the body of work created by James Marsh for Talk Talk throughout the 1980s. |
Signed by: James Marsh Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 100
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Talk Talk
The Colour of Spring
Regular price £360.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition print is one of two archival inkjet editions, The Colour of Spring and The Party's Over, published by Hypergallery in 2018. They are joined by our 2019 publications Laughing Stock and It's My Life, and 2012 silkscreen editions Spirit of Eden and After The Flood, in celebrating the body of work created by James Marsh for Talk Talk throughout the 1980s. |
Signed by: James Marsh Image size: 23 x 27 inches / Paper size: 25.5 x 33 inches Edition size: 100
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
Mapa Sudamerica
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
Volvi
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokaa Image size: 15 x 15 inches / Paper size: 20 x 21 inches Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
Bala de Plata
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
El Rey de los Caminos
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
Aleluya
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
Aguita Fresca
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
El Sol
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
Parasiempre
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokaa Image size: 15 x 15 inches / Paper size: 20 x 21 inches Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
El Tango Infinito
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
El Reencuentro
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
Tus Pies en el Verano
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokaa Image size: 15 x 15 inches / Paper size: 20 x 21 inches Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
Palo Santo
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
Arepa
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Corroncho2
Caballo Blanco
Regular price £60.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This archival inkjet print is one of a collection of fourteen editions, published in 2017 to celebrate the art of Corroncho2, an album by Phil Manzanera and Lucho Brieva. Each track on the album represents a different chapter in the album’s story of two hapless compadres from the Caribbean coast of Colombia. A unique image was designed to accompany each track by the Barcelona-based Brazilian artist, Bwokaa, who worked closely with Manzanera on the concept. Each of these artworks, along with the map that features on the CD itself, has been published in an edition of 30. The prints are signed and titled in pencil by Manzanera, Brieva and Bwokaa. The editions were printed by VGL, a family-run screen and digital print studio based in the UK, and published by Hypergallery. |
Signed by: Phil Manzanera, Lucho Brieva and Bwokka Image size: 15 x 15 inches / Paper size: 20 x 21 inches Edition size: 30 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Le Orme
Elementi
Regular price £300.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition archival inkjet print has been published and produced by Paul Whitehead himself in an edition of 100. It sensitively reproduces the painting from the album cover of the Le Orme album, Elementi, released in 2001. Elementi was the sixteenth album by Italian progressive rock group, Le Orme, who were founded in 1966 and achieved mainstream success in the 1970s. Elementi is a concept album which draws on the philosophies of distant countries and thematises the four elements of air, earth, water and fire as occurring in different world cultures. We are very pleased to present these prints by Paul Whitehead, available exclusively though Hypergallery. |
Signed by: Paul Whitehead Image size: 31.5 x 16 inches / Paper size: 36 x 21 inches Edition size: 100 |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Genesis
Nursery Cryme
Regular price £400.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition archival inkjet print has been published and produced by Paul Whitehead himself in an edition of 100. It sensitively reproduces the painting from the album cover of the Genesis album, Nursery Cryme, released in 1971 by Charisma Records. Nursery Cryme was the band's third studio album and the second in a set of three to feature artwork by Paul Whitehead, following Trespass and preceding Foxtrot. Paul met Genesis through their producer, and immediately hit it off with the band. They were left alone to create the records, and the covers, together with no interference from the (quite visionary) record company, Charisma. The results of this sympathetic collaboration three beautiful and unique album covers, for Trespass, Nursery Cryme, and Foxtrot; Genesis created the music and Paul made original paintings that reflected exactly the contents of the records. |
Signed by: Paul Whitehead Image size: 31.5 x 16 inches / Paper size: 36 x 21 inches Edition size: 99 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Wishbone Ash
New England
Regular price £720.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This Wishbone Ash album cover design is one of a collection of archival inkjet prints that we released in 2014, celebrating previously unpublished album cover art from the Hipgnosis archives. New England is the seventh studio album by the British rock band, one that would mark their Americanisation as they relocated from England to the Northeastern United States. The album cover idea came from Peter Christopherson, the third core member of Hipgnosis, whose own sexuality seemed to inform this thoughtful photograph. Storm Thorgerson said that:
Anyone purchasing 5 or more prints from the set will receive their prints in a beautiful archival portfolio, screenprinted exclusively with a Hipgnosis logo designed by Aubrey Powell. |
Signed by: Aubrey Powell Image size: 19.5 x 19.5 inches / Paper size: 26 x 33 inches Edition size: 90 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Styx
Pieces Of Eight
Regular price £720.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This Styx album cover design is one of a collection of archival inkjet prints that we released in 2014, celebrating previously unpublished album cover art from the Hipgnosis archives. Pieces of Eight is the eighth studio album and second concept album by Styx, released on September 1, 1978. The cover artwork featured an idea that is as rare now as it was then, putting middle aged women (mature glamour as Storm put it) at centre stage. Positioned in an unnatural collage these women seem out of sorts on this strange island, with their souvenir earrings juxtaposed against the majesty of the Easter Island heads. As Aubrey Powell said:
Anyone purchasing 5 or more prints from the set will receive their prints in a beautiful archival portfolio, screenprinted exclusively with a Hipgnosis logo designed by Aubrey Powell. |
Signed by: Aubrey Powell Image size: 26 x 14.5 inches / Paper size: 33 x 26 inches
Edition Size: 90
Print type : Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Strawbs
Deadlines
Regular price £720.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This Strawbs album cover design is one of a collection of archival inkjet prints that we released in 2014, celebrating previously unpublished album cover art from the Hipgnosis archives. Aubrey Powell explains:
Doing it for real took a whole new level of meaning then! Anyone purchasing 5 or more prints from the set will receive their prints in a beautiful archival portfolio, screenprinted exclusively with a Hipgnosis logo designed by Aubrey Powell. |
Signed by: Aubrey Powell
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Scorpions
Lovedrive
Regular price £720.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This Scorpions album cover design is one of a collection of archival inkjet prints that we released in 2014, celebrating previously unpublished album cover art from the Hipgnosis archives. Lovedrive was the sixth studio album by the German heavy metal band, released in 1979. The cover caused some controversy upon the album's release and was subsequently banned, with later pressings of the album bearing a simple design of a blue scorpion on a black background.
This is one of the few Scorpions album covers that was initially edited upon release in many places because of its controversial nature, only to have the original, uncensored art restored for the remaster series. Anyone purchasing 5 or more prints from the set will receive their prints in a beautiful archival portfolio, screenprinted exclusively with a Hipgnosis logo designed by Aubrey Powell. |
Signed by: Aubrey Powell Image size: 19.5 x 19.5 inches / Paper size: 26 x 33 inches
Edition Size: 90
Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Rainbow
Difficult To Cure
Regular price £720.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This Rainbow album cover design is one of a collection of archival inkjet prints that we released in 2014, celebrating previously unpublished album cover art from the Hipgnosis archives. Originally put forward as a cover for Black Sabbath's 1978 album, Never Say Die!, the surgeons are posed in a mock rock'n'roll manner, parodying a similar narcissism which we found faintly ludicrous. Po's friend George Galatzon took the lead role whilst the backup surgeons were played by Peter, Storm, John Blake, Hipgnosis assistant George and his mate. The supporting surgeons are set back slightly from the lead surgeon, an effect achieved by spraying a thin layer of white paint, like a mist, over the entire photo after laying a carefully cut, clear, sticky mask over the image of the lead character so that it would not receive the spray. Richard Manning added hand colouring to enhance the green outfits and the yellow of the gloves. Anyone purchasing 5 or more prints from the set will receive their prints in a beautiful archival portfolio, screenprinted exclusively with a Hipgnosis logo designed by Aubrey Powell. Published in an edition of 90 by hgeditions in 2014 |
Signed by: StormThorgerson Image size: 19.5 x 19.5 inches / Paper size: 26 x 33 inches Edition size: 90 |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Pretty Things
Silk Torpedo
Regular price £720.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This Pretty Things album cover design is one of a collection of archival inkjet prints that we released in 2014, celebrating previously unpublished album cover art from the Hipgnosis archives. When The Pretty Things announced the title of their album Silk Torpedo, Hipgnosis, who had been commissioned for the cover art, immediately thought of Alberto Vargas, a well-known calendar girl painter much appreciated by the boys fighting abroad in WW2. His paintings were often copied by pilots decorating the fuselage of their jets, for luck, and the Hipgnosis studio paid their own homage with this fantastic sleeve design. Aubrey Powell told Hypergallery:
It is such a fun image, and a beautifully delicate print. Anyone purchasing 5 or more prints from the set will receive their prints in a beautiful archival portfolio, screenprinted exclusively with a Hipgnosis logo designed by Aubrey Powell. |
Signed by: Aubrey Powell Image size: 26 x 14.5 inches / Paper size: 33 x 26 inches |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Montrose
Jump On It
Regular price £720.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This Montrose album cover design is one of a collection of archival inkjet prints that we released in 2014, celebrating previously unpublished album cover art from the Hipgnosis archives. Jump On It saw Montrose at the height of their commercial success and this cover design by Hipgnosis really hit while the iron was hot! The back cover images was of the backside, as it were. Simple but fun. We think that the snappy title in simple typography on striking, saucy (outrageous?) image was echoed in more recent times with The Strokes' release, Is This It. Anyone purchasing 5 or more prints from the set will receive their prints in a beautiful archival portfolio, screen-printed exclusively with a Hipgnosis logo designed by Aubrey Powell. |
Signed by: Aubrey Powell Image size: 19.5 x 19.5 inches / Paper size: 26 x 33 inches Edition size: 90 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
10cc
Tenology
Regular price £720.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition archival inkjet print is one of a collection of 10cc artworks published by Hypergallery in 2012. The collection, 10 of 10cc, celebrates the wonderful work produced by Hipgnosis and StormStudios for 10cc, from the early days and throughout their career. Tenology, 10cc's greatest hits album released alongside these prints in 2012, features a five foot high Phrenology head with meticulously hand painted crazing. Storm felt that it said a lot about 10cc, that it said something about the headspace as well as the music space. Graham Gouldman echoed that sentiment, saying that the band had thought of their music as cerebral and multi-faceted. Customers purchasing 5 or more prints from the set will receive their prints in a beautiful archival portfolio with an accompanying booklet signed by Graham Gouldman. |
Signed by: Storm Thorgerson Image size: 19.5 x 19.5 inches / Paper size: 26 x 33 inches Edition size: 60 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
10cc
Mirror Mirror
Regular price £720.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
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This limited edition archival inkjet print is one of a collection of 10cc artworks published by Hypergallery in 2012. The collection, 10 of 10cc, celebrates the wonderful work produced by Hipgnosis and StormStudios for 10cc, from the early days and throughout their career. Mirror Mirror was the 11th album release from 10cc and, as the Hipgnosis team were no longer working together, it features a cover design by StormStudios. The creative relationship between designers and band continued beyond the existence of Hipgnosis and even of 10cc in its original form. Fractured reflections making a successful whole seems rather appropriate under these circumstances. Storm gave the figures names, Graham and Eric, and proclaimed mirrors "a bugger to work with". We think the idea of mirrors as a portal to other worlds, often magical and imbued with significance, comes across beautifully in this otherwise classic Storm Thorgerson scenario - he loves his beaches. Customers purchasing 5 or more prints from the set will receive their prints in a beautiful archival portfolio with an accompanying booklet signed by Graham Gouldman. |
Signed by: Storm Thorgerson Image size: 19.5 x 19.5 inches / Paper size: 26 x 33 inches Edition size: 60 Print type: Archival Inkjet (Giclée)
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We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Elvis Presley™
Elvis Presley®
Regular price £395.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition archival inkjet print features the cover that graced the first rock'n'roll record ever to top the Billboard Album Chart in 1956 - it spent ten weeks there selling over one million copies. The photograph was taken by William 'Red' Robertson and although it is unclear who was responsible for the iconic lettering, it is a design that has inspired much homage on covers. most notably including The Clash's 1979 London Calling and Tom Waits' 1985 Rain Dogs. Working from a print from the original negative Hypergallery have created a faithful reproduction of this iconic cover at more than twice the size of the original, printed with state of the art pigment and UV inks. Each print is numbered in pencil and bears the official Elvis Presley™ silhouette image. Each print is also embossed with the Elvis Presley™ estate's authentication, alongside our own hgEditions publication emboss. |
Image size: 19 x 19 inches / Paper size: 27 x 28.5 inches Edition size: 175 |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Steve Miller Band
Bingo!
Regular price £750.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This limited edition archival inkjet features one of several Storm Thorgerson projects for the Steve Miller Band. This album cover art design for Bingo! makes a real statement. "Steve Miller Band - difficult to pin down", says Storm. Guitarists exchanging musical licks? Cowboys throwing rhymes? Chairs, pears, teddy bears ... all very peculiar, but so Storm Thorgerson. It made him smile and it makes us smile too. Printed on Fourdrinier Heritage paper in a small edition of only 50, every print has been countersigned by Steve Miller himself at SteelStacks in Bethlehem, PA, before his gig there in May 2011. In the photos below you can see Steve signing - and holding a message he scriblled for Storm - in front of the incredible industrial backdrop of SteelStacks. |
Signed by: Storm Thorgerson Image size: 24 x 19 inches / Paper size: 31 x 26 inches Edition size: 50
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Godley and Creme
Freeze Frame
Regular price £720.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
This Godley and Creme album cover design is one of a collection of archival inkjet prints that we released in 2014, celebrating previously unpublished album cover art from the Hipgnosis archives. Freeze Frame, released in 1979, was Godley and Creme's third album since their departure from 10cc. Lol Creme recalling the pitch from the Hipgnosis team, said:
Anyone purchasing 5 or more prints from the set will receive their prints in a beautiful archival portfolio, screenprinted exclusively with a Hipgnosis logo designed by Aubrey Powell. |
Signed by: Aubrey Powell Image size: 19.5 x 19.5 inches / Paper size: 26 x 33 inches Edition size: 90 Print type: Archival Inkjet (Giclée)
|
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Be-Bop Deluxe
Drastic Plastic
Regular price £720.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
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This Be-Bop Deluxe album cover design is one of a collection of archival inkjet prints that we released in 2014, celebrating previously unpublished album cover art from the Hipgnosis archives. Drastic Plastic was the last album by Be-Bop Deluxe, released in 1978. The material on the album marked a change in the musical direction of the band, with more synthpop and New Wave sounds alongside some of the progressive and glam standards. Hipgnosis took their cues from the title: 'drastic' as in vividly bright or primary colours and 'plastic' as in acrylic paint and shiny work tops. This was a purpose built set in the studio, like a kitchen area, a real place but geometric, a stylised slice of reality which might echo the music. Anyone purchasing 5 or more prints from the set will receive their prints in a beautiful archival portfolio, screenprinted exclusively with a Hipgnosis logo designed by Aubrey Powell. |
Image size: 19.5 x 19.5 inches / Paper size: 26 x 33 inches Signed: by Aubrey Powell Edition size: 90 Print type: Archival Inkjet (Giclée)
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We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Elton John
Captain Fantastic and the Brown Dirt Cowboy
Regular price £2,000.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
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This album cover art print is one of two produced by the artist Alan Aldridge for Hypergallery in 2012. Only 20 prints in the edition were ever printed and signed before Aldridge died, in 2017. They were numbered 1-10 and 51-60. The edition will never be completed, and so this last remining print, number 59, is one of only 20 in the world. Captain Fantastic, released in 1975, has been hailed by many as the best Elton John album ever. It is a concept album that gives an autobiographical glimpse at the struggles John (Captain Fantastic) and Taupin (the Brown Dirt Cowboy) had in the early years of their musical careers in London (from 1967 to 1969). Following his brief from Bernie Taupin, Alan Aldridge took the stories contained within the album and created a complete world of trippy imagery and fantastical creatures surrounding Elton John and his piano, earning Aldridge his second Grammy nomination.
This illustration could barely fit inside the 12" format, and has been re-presented by Aldridge in this print at a luscious 18" square we can better appreciate the wonder of his drawings. |
Signed by: Alan Aldridge Image size: 18 x 18 inches / Paper size: 24 x 24 inches Edition size: 100 (incomplete) Print type: Archival Inkjet (Giclée)
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Art Money it for £200/month, no interest We partner with Art Money to make art more accessible |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
De La Soul
3 Feet High and Rising
Regular price £540.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
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This De La Soul original print is the result of a meticulous reworking of the original photography for the 3 Feet High and Rising LP sleeve, alongside the original sketched proposal made by the Grey Organisation to Tommy Boy Records. The spirit of the cover art design is revived in glorious day-glo and the result is an artist print that transports us back to the Daisy Age with one glance. The print, just like the original artwork, is the product of a two stage process worked on by the artist along with two different print-makers: the faces of Plug 1, 2 and 3 were printed in archival inkjet to achieved a clean b&w photographic image, over which the cartoon-like illustration has been hand-pulled. We knew we needed to capture the day-glo spirit of the original design but fluorescent inks simply aren't available for inkjet so we turned to Lynne at Hippo Screenprinters in Essex who was the perfect match for this project. She produced the most outstanding edition from Toby Mott's artwork; the hand pulled printing mirrors the feel of the cover design and more to the point, of that original sketch submitted to Tommy Boy records by the Grey Organisation. Each print has been embossed with the official stamp of the Grey Organisation. |
Signed by: Toby Mott Image size: 20 x 20 inches / Paper size: 25.5 x 26.5 inches Edition size: 60 Print type: Silkscreen over Archival Inkjet (Giclée)
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Over 30 years after its release, 3 Feet High and Rising remains one of the most feted albums in the hip hop canon. This unique LP emerged in 1989 amidst the burgeoning US hip-hop scene. |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Elvis Presley™
50,000,000 Elvis Fans Can't Be Wrong
Regular price £395.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%/
Shipping calculated at checkout.
|
50,000,000 fans but only 175 prints! This limited edition archival inkjet print celebrates Elvis' gold lame suit by famous Hollywood tailor Nudie Cohen, now on display at Graceland in Memphis, Tennessee. Elvis Presley™'s album covers weren't known for their creativity but this cover by then RCA Art Director Bob Jones was an exception. Replicating the photograph at different sizes was a departure from the strict guidelines laid down by Elvis' manager, Colonel Tom Parker. We knew that to do the artwork justice these prints had to be something really special and the printers (Senecio, Oxford, UK) have produced something truly fit for the king. Each print is numbered in pencil and bears the official Elvis Presley™ silhouette image. Each print is also embossed with the Elvis Presley™ estate's authentication, alongside Hypergallery's own publisher's mark. |
Image size: 19 x 19 inches / Paper size: 27 x 28.5 inches Edition size: 175 |
We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.