Armando Gallo is an Italian photojournalist and author best known for his intimate and visually rich documentation of the rock band Genesis, particularly during the Peter Gabriel era. Gallo’s work is celebrated for its authenticity, intimacy, and historical value, making him one of the most respected chroniclers of progressive rock.
BORN IN ITALY IN 1944
Armando Gallo began his career as a journalist and photographer, initially covering entertainment and music for Italian publications.
IN THE MID-1960s
Gallo was sent to London to cover the vibrant cultural scene of the ‘Swinging Sixties’ for Italian magazines. He quickly became immersed in the British rock scene, developing a passion for progressive rock and forming early connections with emerging bands.
Gallo first encountered Genesis while covering a concert or interview for an Italian music paper. He became deeply fascinated by the band’s theatrical performances and complex music, particularly during the Peter Gabriel era. His relationship with the band evolved from journalist to trusted insider and friend.
GENESIS: THE EVOLUTION OF A ROCK BAND
In 1978, having accumulated years of interviews, photography, and research, Gallo published his first major book on Genesis, capturing the band's rise and the artistry of Peter Gabriel’s stage personas. The book featured exclusive photographs, many taken by Gallo himself, and became a definitive visual and narrative document of the band’s early years.
IN 1980
Gallo released I Know What I Like, a richly illustrated book chronicling Genesis from their early days through the Gabriel years and beyond. The book became a cult classic among fans, praised for its intimate access and vivid photography. In 1982, he co-founded Fratelli Gallo Editori with his brother Claudio, publishing over 40 music books and launching the magazine PIX Photorock.
His photograph of Gabriel onstage in Los Angeles in 1982 became the album cover for the live album, Plays Live.
VIEW THE SIGNED PLAYS LIVE PRINT
Gallo has remained active in music journalism and photography, continuing to document rock legends and reissuing updated editions of his Genesis books.
His work has been cited and celebrated in numerous retrospectives on Genesis and Peter Gabriel, often regarded as the definitive visual chronicler of the band’s formative years.
