Opposites - Hypergallery - Biffy Clyro
Opposites - Hypergallery - Biffy Clyro
Opposites - Hypergallery - Biffy Clyro
Opposites - Hypergallery - Biffy Clyro
Opposites - Hypergallery - Biffy Clyro
Opposites - Hypergallery - Biffy Clyro
Opposites - Hypergallery - Biffy Clyro
Opposites - Hypergallery - Biffy Clyro

Opposites

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This trio of archival inkjet original prints are a product of Biffy Clyro's fruitful artistic relationship with Storm Thorgerson. Only one set of prints signed by Storm Thorgerson remains in stock. The remainder of the edition carries the StormStudios emboss and signatures. The band return to Storm for the cover of their 2013 album Opposites, continuing the successful relationship that produced the artwork for Saturday Superhouse, Puzzle and Only Revolutions.

The cover is supposed to depict the oldest living tree in the world, located in Chile. Biffy Clyro's Simon Neil said:

"I loved the original image of the tree, and I got thinking about how strong the roots must be, and how strong my band is - how we can deal with anything, because we have each other".

Storm chose Iceland in order to:

"find waterfalls, which struck me as suitably forceful imagery for the band, and secondly to locate diverse terrains adjacent viz desert and verdant pastures.

"Simon had a similar idea to one I had been nursing, namely a tree of life [...] for one album. So I suggested a tree of death for the other album [...] I wanted trees to be the same on both albums, but in two different locations with different objects hanging upon them: one to represent the interconnections of things - tree of life, positive - and one to represent the disconnectedness - tree of death, negative. So, mirrors which reflect, and scissors which sever. Biffy Clyro suggested the bones, to make three.

"Now the tree had to be man made and taken to Iceland [...] The hanging objects are central - many cultures have them - often called votive or wishing trees, intended to warn visitors of sacred ground or as offerings to appease the gods. Red Indians use eagle feathers, in Japan they use handwritten notes, in Turkey an evil eye, in Hungary padlocks and so on. These objects are the defining ingredient in my opinion. 

"Biffy and/or label didn't like the upright tree thinking it too weedy, too 2 dimensional, not rock n' roll enough. [...] I thought of an old tree, thousands of years old, enduring a prevailing wind forever, thus bent over at a severe angle and darkened and pitted [...] thus there are three covers: one for each separate album and one for the combined double."

Storm, Feb 22

Signed by: Each print in this set of three prints has been authenticated with the official emboss of StormStudios and of hgEditions.

The Bones tree in each set has been signed in pencil, either by Storm Thorgerson or by StormStudios (Rupert Truman, Peter Curzon, Dan Abbott).

Image size: 19.5 x 19.5 inches / Paper size: 30 x 33 inches

Edition size: 30

Print type: Archival Inkjet (Giclée)


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We know how hard it is to buy a piece of art without actually seeing it in the flesh. That’s why we work hard to give you all the information you need on our website. If, however, you do need any further information about any of our pieces then do get in touch.

All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.

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There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.

Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.

ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.

Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.

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Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.

ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.

ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.

Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.

ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.

COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.

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We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.

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We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.

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The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.

VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.

Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.

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We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.

FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.

RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.

If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.

Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.

Prints are wrapped in acid free tissue, and packed into heavy-duty tubes.

UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.

Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.

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FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.

RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.

If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.

Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.

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