Hypergallery welcomes browsers and buyers to an exhibition of signed, limited-edition prints by music’s most extraordinary visual artists.
On display will be a collection of exquisite, limited edition prints and affordable works by a collection of talented artists who have worked with some of the most iconic musicians from the 20th Century. Celebrating the Golden Years of rock music through the album cover art that put a face on it.
Featuring: DAVID BOWIE, PINK FLOYD, LED ZEPPELIN, KING CRIMSON, T.REX, PETER GABRIEL, 10CC, JIMI HENDRIX, THE WHO, THE BEATLES, ELTON JOHN, GENESIS, DONOVAN, THE HOLLIES, CREAM, PENTANGLE
Open: 11am-2pm by appointment until 23rd Dec 2022
Location: Hypergallery, 47 Market Place, Henley-on-Thames, RG9 2AA
If you would like to visit, just drop Hypergallery a line at firstname.lastname@example.org or call on 01491 637021 to ensure someone will be at the gallery to welcome you.
Vincent McEvoy was the art director of Polydor in the 1970s. As such, he had unique access to some of the biggest names in Rock, including The Who, Bob Marley and Eric Clapton. In recent years he has rekindled his passion for silkscreens, producing powerful pop-artworks based on some of the wonderful and iconic memorabilia that he accumulated throughout his career.
Karl Ferris is the man behind some of the most recognisable images of Jimi Hendrix. The originator of psychedelic and infrared photography worked closely with Hendrix on his image, styling and of course the photographs. With subjects including Cream, The Hollies, The Beatles and Donovan, Ferris was right at the epicentre of the psychedelic revolution.
Terry Pastor is a graphic artist who has worked for clients all across the world, creating iconic imagery with masterful flourishes of his airbrush. Pastor is best known for two images that jump-started the career of a young David Bowie, Hunky Dory and Ziggy Stardust. He has revisited and ‘remastered‘ his original source material in the creation of his stunningly sympathetic editions.
Barry Godber was a friend of King Crimson lyricist Peter Sinfield and a regular visitor to the group‘s rehearsal room in the basement of the Fulham Palace Road Cafe. Using watercolours, Godber gazed into a shaving mirror and constructed one of the most fearful self-portraits ever to grace a record sleeve.
Hipgnosis created some of the most innovative and surreal record cover art of the 1960s, 70s and 80s for the biggest bands and musicians of the era including Pink Floyd, Led Zeppelin and 10cc. For fifteen years Hipgnosis (Storm Thorgerson, Aubrey Powell and Peter Christopherson) thrived as one of the best known photo design companies and latterly movie makers, creating timeless rock iconography.
Alan Aldridge created imaginative designs and intoxicating colour-rich images that captured the dreams and hallucinations of a generation; in The Beatles Illustrated Lyrics, on album covers for The Who, Cream and Elton John, and on the notorious Chelsea Girls poster for Andy Warhol.
Richard Evans began his rock’n’roll career as a shoe designer in the early 70s, putting multi-coloured platforms under the feet of Elton John, Roxy Music and The Osmonds. It was at this time that he met Aubrey Powell and Storm Thorgerson and later worked at Hipgnosis with them as their graphic designer for several years. Eventually, he set up his own design studio, working with many big names in the music industry. Since 1976 he has worked closely with The Who, designing tour visuals, merchandise and, of course, album covers.
Sir Peter Blake was elected RA in 1981, awarded a CBE in 1983, and was knighted in 2002. His seminal art for Sgt. Pepper’s Lonely Hearts Club Band is probably the world’s best-known album cover, but Peter’s connections with pop music led to many other ventures in album packaging, including The Who, Live Aid, Paul Weller, Oasis, Ian Dury, Eric Clapton and Brian Wilson.