Meddle
Regular price £2,250.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
The Meddle limited edition print was one of the very first selection of Pink Floyd album cover designs to be revisited and re-envisaged as an art print by Storm Thorgerson at the very beginning of this century. The album artwork for Meddle, Pink Floyd's fourth studio album, was a straightforward affair technically speaking. Separate 5x4 photographs were taken of a human ear in close up and of ripples in a big tray of water. The two selected images were then sandwiched together. In preparing this fine art print Storm Thorgerson returned to the original two transparencies, cleaned them up and effected a precise copy of the original superimposition in the computer. The original composition was duplicated, but the definition refined, the colour fidelity and translucent quality improved. Old art rescued and enhanced by modern technology. What was not so straightforward were the meanings and implications. What was the design about? What relevance did it have? Somehow the cover seemed as obscure as the title. Why Meddle? Is that meddle as in interfering? Who or what is meddling with what? Is the band meddling with our minds? Is the water interfering with the ear? Was someone meddling in Pink Floyd affairs? Was it a misspelling? And so on and so forth. The relevance can't be simply water ripples like concentric waves of sound, that's too easy and not particular to Floyd, unless the design refers to repeated circles, like repeated sounds or echoes, which is the main track on the album, occupying a whole side of the vinyl. There was no doubting the quality of the music. Meddle is a great album, much underrated, except by cognoscenti. Perhaps the same or similar could be said for the album art, now much enlivened in the refurbished state. Some meddling is worth it. This silkscreen print is a chance to see the full artwork as originally created, before it was cropped for the square format of the LP. |
Signed by: Storm Thorgerson |
Art Money it for £225/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Atom Heart Mother
Regular price £2,712.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
The Atom Heart Mother limited edition print was one of the very first selection of Pink Floyd album cover designs to be revisited and re-envisaged as an art print by Storm Thorgerson at the very beginning of this century. This striking print celebrates Atom Heart Mother, a big breakthrough for Pink Floyd who, in 1970 managed to get to No.1 with one of the world's most progressive psychedelic albums featuring neither title nor band photo on the front; just a cow. It was the first Pink Floyd cover not to feature the band's name on the cover, nor to contain any photographs of the band anywhere. This was a trend that would continue on subsequent covers throughout the 1970s and beyond. Storm Thorgerson took the picture using only two rolls of 120 film in the first field he came to driving north out of London. No graphics, no retouching.
This silkscreen print is a real stunner. |
Signed by: Storm Thorgerson
|
Art Money it for £271.20/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
The Dark Side of the Moon
Regular price £12,000.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
The Dark Side of the Moon silkscreen print was produced in an edition of 295 by the Hipgnosis founding team of Storm Thorgerson and Aubrey Powell. The idea to revisit album cover artwork for publication as original, limited edition prints came from Storm Thorgerson in 2000. He had amassed a huge body of work from forty years of creating iconic covers and wanted it to be seen in fuller glory. Storm and his Hipgnosis partner Aubrey Powell (Po) worked towards producing prints from twelve Pink Floyd covers and The Dark Side of the Moon was obviously a prime candidate for inclusion. Arguably one of the best known album covers in the world, it was ideal for silkscreen with its flat black background and vibrant spectrum of colours. George Hardie did the illustration, back in 1973, when he was working with the Hipgnosis studio on the original cover design. Storm Thorgerson recalled,
The Dark Side of the Moon was Pink Floyd's commercial-meets-conceptual equinox, of which David Gilmour says
The silkscreen edition was printed in 12 colours on Somerset paper by the esteemed Coriander Studios, London, UK |
Signed by: Storm Thorgerson Image size: 19 x 19 inches / Paper size: 25.5 x 33 inches Edition size: 295 Print type: Silkscreen |
Art Money it for £858/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Ummagumma
Regular price £2,712.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
Ummagumma is a limited edition silkscreen print that was one of the very first selection of Pink Floyd album cover designs to be revisited and re-envisaged as an art print by Storm Thorgerson at the very beginning of this century. The Ummagumma album cover art relates to the idea that Floyd music was multi-layered, more intricate than most, and offered a depth, should you choose to explore it. A picture within a picture, a room within a room. It feels like you could step directly through the frame into the next room. A sort of hallucinatory feeling commensurate with Pink Floyd's music and with certain unspecified chemicals. The edition was printed on a smooth Somerset paper and each print has been numbered and signed by Storm Thorgerson. |
Signed by: Storm Thorgerson Image size: 19 x 19 inches / Paper size: 25.5 x 33 inches Edition size: 295 Print type: Silkscreen
|
Art Money it for £271.20/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Wish You Were Here
Regular price £4,800.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
This limited edition print was one of the very first selection of Pink Floyd album cover designs to be revisited and re-envisaged as an art print by Storm Thorgerson at the very beginning of this century. It is a beautiful silkscreen reworking of the Wish You Were Here image that truly deserves to be seen on this scale.
The album itself is a sad and wistful indictment of insecurity. Thorgerson recalls that one theme, indeed one word, prevailed during the recording of the album at Abbey Road - absence. Nothing more poignantly, or powerfully illustrated this than the unexpected arrival of Syd Barrett at the studio during the vocal takes for Shine On You Crazy Diamond, having been absent for seven years. Storm told us,
The album itself is a favourite of David Gilmour's, with its haunting central theme of Shine On You Crazy Diamond is never far out of consciousness. |
Image size: 17.5 x 23 inches / Paper size: 25.5 x 33 inches Signed by: Storm Thorgerson Edition size: 295 Print type: Silkscreen
|
Art Money it for £480/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
Animals
Regular price £8,900.00 Save Liquid error (snippets/product-template line 120): Computation results in '-Infinity'%
The Animals limited edition print was one of the very first selection of Pink Floyd album cover designs to be revisited and re-envisaged as an art print by Storm Thorgerson at the very beginning of this century. It is a stunning, richly coloured silkscreen print which honours both a keystone moment of Pink Floyd and Hipgnosis history, and a landmark building which has secured a fond place in the hearts of Londoners old and young. The inflatable pig was about 30ft long and 20ft high, and it was brought on site, to the wonderful 1920s architecture of Battersea Power Station by the River Thames, just upstream from the Houses Of Parliament. On day one the pig remained on the ground, neither inflated nor elevated. The initially reluctant pig made a rash break for freedom in the blue yonder on day two. Up from the power station and into the flight path to Heathrow Airport went the animal, en route for the media headlines and home in time for tea. Retrieved from a Kent farm and its bacon saved, the pig again faced the photographers and a film crew, now with a helicopter ready. The finished artwork comprised a real inflatable pig in position on day three, with a real background from day one, when the sky was at hits most dramatic. Storm Thorgerson remembered:
Animals rose (appropriately) to No.3 on the Billboard chart in February 1977. This silkscreen, printed on Somerset enhanced paper by the renowned Coriander Studios, has been very popular and availability is now low. |
Signed by: Storm Thorgerson and Aubrey Powell
|
Art Money it for £480/month, no interest We partner with Art Money to make art more accessible |
All the artwork published, printed or marketed by Hypergallery is of the highest quality. All artwork is printed on the finest paper stock by renowned and experience printers using traditional or modern techniques. They will either be signed by the artist or embossed with authentication.
In the rare eventuality that an error with publicised price or availability means that we cannot fulfil your order we will let you know as soon as we discover the error and issue an immediate and full refund.
Listed sizes are for approximate guidance only. If you require a precise measurement please get in touch.
LIMITED EDITION PRINTS
The very nature of a limited edition print is that it is limited, forever, to the total number detailed in the original edition. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295.
There will also be Artists Proofs (APs) numbering up to a maximum of 10% of the edition, and sometimes Printer’s Proofs (PPs) which are usually kept by the printer, or Hors Commerce prints (HCs) which are used by the publisher for promotional purposes.
Sometimes limited editions are published at different sizes. This is OK, as long as the sizes are distinctly different and they should be published at the same time.
ARTIST/PRINTERS PROOFS
An artist's proof in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases.
Artist's proofs are not included in the count of a limited edition, and they belong to the artist. By convention, the artist is not supposed to sell these at once.
COPYRIGHT
In most cases, if an album cover is a photograph then the photographer will own the copyright. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.
Hypergallery doesn’t own the copyright to any of our prints, but in all cases we ensure that we have the permission of the copyright holder to produce the prints.
ATTRIBUTION
In many cases the creation of an album cover is a collaborative affair. Many album covers designs are attributed to artists who haven’t been directly involved in creating and signing the prints and we aim to make this as transparent and clear as possible in the product details.
ARCHIVAL INKJETS
Archival inkjet printing is also commonly referred to as Giclée. It denotes the high-quality ink-jet printing process which uses fade resistant, archival inks and archival substrates on large format printers to produce fine art prints.
Similarly, the term serigraph has been used to describe artistic use of the silkscreen process.
ARTISTIC ENHANCEMENT
With only a few unavoidable exceptions (when the artist is no longer alive) the prints sold by Hypergallery have been conceived, created, approved and signed by the artist themselves. In many cases the prints look quite different from the original album cover as we give the artist the chance to revisit their original artwork and rework it specifically as a print, without the restrictions of producing it as a mass market album cover.
COST
The value of a print increases as the edition sells out. You may see some prints on sale at a much higher price than others in the same collection and this will usually mean that less of these prints remain available on the primary market. It might also mean that a print has been signed by the musician as well as the artist - for this reason sometimes you may see exactly the same print available at two different prices.
CARING FOR YOUR PRINT
We will wrap your print in acid-free tissue paper and ship it to you in a sturdy cardboard tube. When you take your print out of the tube it is a good idea to let it uncurl overnight on a flat surface before handling it. This will give the paper a chance to lose some of its springiness and make it much easier for you to handle. Remember to wash your hands before handling your print and to take care not to scuff the surface of the image as some of the print surfaces are very delicate.
DISPLAYING YOUR PRINT
We recommend that you frame your print behind conservation quality glass or acrylic (most framers will offer this as standard) and make sure you use archival quality mount board. This way, your print will be free from any materials that might cause it damage.
UK orders will be dispatched by either Royal Mail First Class post, Special Delivery or by courier. Orders to the rest of the world are dispatched by Airmail or by Royal Mail International Tracked and Signed. Royal Mail’s service is a little slower than FedEx and other couriers, but is the only way, at present, for us to guarantee that our prints are actually delivered to a human and signed for. In all cases, a contribution towards the packing and consignment cost will be added to your order and calculated at checkout.
Responsibility for the print lies with us until you receive and sign for it* and for this reason we insist on sending items over £150 by insured, sign-for shipping. All of our print shipments require signature upon delivery so please check the condition of the packaging before accepting it.
*If you have an agreement in place whereby delivery services are to leave parcels without obtaining a signature, as is often the case in the USA, our instruction for them to obtain a signature will be overridden. In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement.
COPYRIGHT
All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. Any use of these images, including reproduction, modification, distribution or transmission is strictly forbidden unless the owners of the copyright give express permission. If your use of an image from our website is covered by Fair Use, we would appreciate it if you would correctly attribute the artist and our website and drop us a line to let us know - we can probably share a link in return.
The design of the site, including all graphics, structure and text is the property of Hypergallery Ltd and all rights are reserved.
PRICING
The price of limited edition prints and collectables increases as the edition sells out. We reserve the right to increase the advertised price of the artwork without notice. The price of the artwork will be in force from the date of publication on the website.
VAT is chargeable on all UK sales. Sales to non-UK customers where the delivery is outside the UK will include a full commercial invoice to aid customs clearance on importation to the destination country. Local duties and taxes may be charged at that stage and are payable by the customer. We will endeavour to help predict these costs where possible and help our customers who are not accustomed to dealing with import duties, especially now that this has become necessary in Europe thanks to the UK's departure from the EU.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.
PAYMENT
We know how important it is that you feel secure about paying online. Hypergallery.com is hosted by Shopify and payments are handled by Shopify's own system. Shopify is Level 1 PCI DSS compliant by default so payment info and business data is kept safe. Payments made to the UK in other currencies will be converted to pounds sterling at the current exchange rate.
FRAMING
Prints come unframed. Measurements on product pages are approximate and frames should not be ordered based on these measurements. If you would like us to give you a mm accurate measurement please drop us a line.
RETURNS / REFUNDS
We take great care to ensure that your goods are delivered to you in perfect condition, so please do not accept delivery if there is obvious damage to the packaging. If you sign for the goods you are accepting delivery in perfect condition and the shipping agent cannot be held responsible for any damage.
If for any reason you are not happy with your purchase, you may return it for full refund of the cost of the artwork on the following conditions: You must notify us in advance and within 7 days that you wish to return the artwork. You can do this by email or by phone. The artwork must be returned in its original packaging and undamaged within 7 days of your notification. You accept that the shipping cost to return the print is borne by you and the return shipment must be covered by adequate insurance.
Payment made to the UK in other currencies will be converted to pounds sterling at the exchange rate current on the day of the transaction.